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Like her, we’re committed to seeing our guy through it all, wherever he goes. Kim’s frustrations, so beautifully played by Seehorn, come to feel like the viewer’s own. Still and all, the show is urgently worth watching for Odenkirk and for Seehorn. However, he says Season 6 is ultimately worth watching, if mainly because Bob Odenkirk and Rhea Seehorn’s acting together is as strong as it’s ever been: The talent involved are so assured of the story they are telling that it’s time to simply savor every last moment we have with this show.ĭaniel D’Addario of Variety is the rare critic who found faults in the first two episodes, as he continues to struggle with the series’ tone. It would take the most epic fumbling of all time to close out this show on anything less than a profound conclusion.
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Society has a real tough time when it comes to ending stories, and most endings are looked at with disappointment. It’s hard not to just spend the rest of this review gushing about every single detail about Better Call Saul Season 6.
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He says while Breaking Bad will always be classic TV, Better Call Saul has eclipsed its predecessor, and we should be thankful to be alive in a time when this show was airing: For telling a story unlike literally anything else on television.ĭrew Dietsch of Giant Freakin Robot rates the beginning of the final season 5 out of 5 robots. It’s an approach that nurtures the show’s incredible gift for specificity, for telling a story about crooks and lawyers and good people and all the grey areas that exist between them. After all, so much of this show has always been about zooming in on a person’s life, the details that make up a day, and then pulling back out to reveal their place in a far bigger, messier, and more tragic picture than they could ever truly realize. A defining quality of Better Call Saul is how it plays with focus, both in its cinematography and its storytelling - a tradition going back to Breaking Bad, of course, but one that Season 6 continues to push further.